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	<title>Effects Pedals Archives - Eclectic Sounds</title>
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	<title>Effects Pedals Archives - Eclectic Sounds</title>
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	<item>
		<title>Akai Deep Impact SB1 – Legendary Synth Bass Multi-Effect Pedal / Damian Erskine Collection</title>
		<link>https://zashabuti.com/product/akai-deep-impact-sb1-legendary-synth-bass-multi-effect-pedal-damian-erskine-collection/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Fri, 04 Jul 2025 03:45:50 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=130954</guid>

					<description><![CDATA[<p>🧨 Akai Deep Impact SB1 – Legendary Synth Bass Multi-Effect Pedal The Akai Deep Impact SB1 is a cult-classic, analog-style bass synthesizer pedal from the late 1990s that transforms electric bass signals into fat, synth-like tones using pitch tracking and filter modulation. Known for its massive analog character, tight tracking, and signature subby growl, it’s [...]</p>
<p>The post <a href="https://zashabuti.com/product/akai-deep-impact-sb1-legendary-synth-bass-multi-effect-pedal-damian-erskine-collection/">Akai Deep Impact SB1 – Legendary Synth Bass Multi-Effect Pedal / Damian Erskine Collection</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h3 data-start="0" data-end="73"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f9e8.png" alt="🧨" class="wp-smiley" style="height: 1em; max-height: 1em;" /> <strong data-start="7" data-end="73">Akai Deep Impact SB1 – Legendary Synth Bass Multi-Effect Pedal</strong></h3>
<p data-start="75" data-end="503">The <strong data-start="79" data-end="103">Akai Deep Impact SB1</strong> is a cult-classic, analog-style <strong data-start="136" data-end="162">bass synthesizer pedal</strong> from the late 1990s that transforms electric bass signals into fat, synth-like tones using pitch tracking and filter modulation. Known for its <em data-start="306" data-end="332">massive analog character</em>, <em data-start="334" data-end="350">tight tracking</em>, and <em data-start="356" data-end="379">signature subby growl</em>, it’s one of the most sought-after bass pedals ever made—especially since it was discontinued after a short production run.</p>
<p data-start="2597" data-end="2937">The <strong data-start="2601" data-end="2625">Akai Deep Impact SB1</strong> is one of the most iconic bass synth pedals of all time. Whether you&#8217;re a tone hunter, collector, or live bassist seeking instant synth authority, this pedal brings <strong data-start="2791" data-end="2837">true character and deep sonic manipulation</strong>. If you can find one in mint condition, it&#8217;s a powerful musical and investment-grade piece of gear.</p>
<hr data-start="505" data-end="508" />
<h2 data-start="510" data-end="530"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f9e0.png" alt="🧠" class="wp-smiley" style="height: 1em; max-height: 1em;" /> <strong data-start="516" data-end="530">What It Is</strong></h2>
<ul data-start="532" data-end="981">
<li data-start="532" data-end="602">
<p data-start="534" data-end="602"><strong data-start="534" data-end="550">Synth engine</strong>: Digital oscillator + analog-style filter section</p>
</li>
<li data-start="603" data-end="667">
<p data-start="605" data-end="667"><strong data-start="605" data-end="617">Tracking</strong>: Monophonic pitch tracking from your bass input</p>
</li>
<li data-start="668" data-end="892">
<p data-start="670" data-end="761"><strong data-start="670" data-end="681">Control</strong>: 9 preset patches (selectable with a rotary encoder), each with parameters for:</p>
<ul data-start="764" data-end="892">
<li data-start="764" data-end="783">
<p data-start="766" data-end="783"><strong data-start="766" data-end="783">Filter cutoff</strong></p>
</li>
<li data-start="786" data-end="800">
<p data-start="788" data-end="800"><strong data-start="788" data-end="800">Envelope</strong></p>
</li>
<li data-start="803" data-end="819">
<p data-start="805" data-end="819"><strong data-start="805" data-end="819">Wave shape</strong></p>
</li>
<li data-start="822" data-end="843">
<p data-start="824" data-end="843"><strong data-start="824" data-end="843">Mix (dry/synth)</strong></p>
</li>
<li data-start="846" data-end="857">
<p data-start="848" data-end="857"><strong data-start="848" data-end="857">Decay</strong></p>
</li>
<li data-start="860" data-end="872">
<p data-start="862" data-end="872"><strong data-start="862" data-end="872">Volume</strong></p>
</li>
<li data-start="875" data-end="892">
<p data-start="877" data-end="892"><strong data-start="877" data-end="892">Sensitivity</strong></p>
</li>
</ul>
</li>
<li data-start="893" data-end="981">
<p data-start="895" data-end="981"><strong data-start="895" data-end="921">Expression pedal input</strong> for real-time control over filter sweep or other parameters</p>
</li>
</ul>
<hr data-start="1277" data-end="1280" />
<h2 data-start="1282" data-end="1313"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f525.png" alt="🔥" class="wp-smiley" style="height: 1em; max-height: 1em;" /> <strong data-start="1288" data-end="1313">Why It’s So Desirable</strong></h2>
<ul data-start="1315" data-end="1659">
<li data-start="1315" data-end="1386">
<p data-start="1317" data-end="1386"><strong data-start="1317" data-end="1354">Unique analog/digital hybrid tone</strong> – thick, squelchy, and punchy</p>
</li>
<li data-start="1387" data-end="1471">
<p data-start="1389" data-end="1471"><strong data-start="1389" data-end="1415">Tracks incredibly well</strong> for a 1990s unit—better than many newer analog pedals</p>
</li>
<li data-start="1472" data-end="1541">
<p data-start="1474" data-end="1541"><strong data-start="1474" data-end="1490">Preset-based</strong> – plug and play with 9 immediately usable sounds</p>
</li>
<li data-start="1542" data-end="1659">
<p data-start="1544" data-end="1659"><strong data-start="1544" data-end="1563">Used by legends</strong> like <strong data-start="1569" data-end="1598">Muse’s Chris Wolstenholme</strong>, whose massive synth bass tones helped make the pedal iconic</p>
</li>
</ul>
<hr data-start="1661" data-end="1664" />
<h2 data-start="1666" data-end="1679"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/2705.png" alt="✅" class="wp-smiley" style="height: 1em; max-height: 1em;" /> <strong data-start="1671" data-end="1679">Pros</strong></h2>
<ul data-start="1681" data-end="1950">
<li data-start="1681" data-end="1739">
<p data-start="1683" data-end="1739"><strong data-start="1683" data-end="1696">Huge tone</strong> – from sub-bass to ripping filter sweeps</p>
</li>
<li data-start="1740" data-end="1819">
<p data-start="1742" data-end="1819"><strong data-start="1742" data-end="1772">Performs like a real synth</strong> – no need for a MIDI bass or external synths</p>
</li>
<li data-start="1820" data-end="1879">
<p data-start="1822" data-end="1879"><strong data-start="1822" data-end="1845">MIDI recall support</strong> – rare in stompboxes of its era</p>
</li>
<li data-start="1880" data-end="1950">
<p data-start="1882" data-end="1950"><strong data-start="1882" data-end="1903">Instant character</strong> – each preset is usable and musically distinct</p>
</li>
</ul>
<hr data-start="2261" data-end="2264" />
<p data-start="2939" data-end="3088" data-is-last-node="" data-is-only-node="">
<p>The post <a href="https://zashabuti.com/product/akai-deep-impact-sb1-legendary-synth-bass-multi-effect-pedal-damian-erskine-collection/">Akai Deep Impact SB1 – Legendary Synth Bass Multi-Effect Pedal / Damian Erskine Collection</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<item>
		<title>Vintage Watkins Copicat IC Mk II Analog Tape Delay Machine</title>
		<link>https://zashabuti.com/product/vintage-watkins-copicat-ic-mk-ii-analog-tape-delay-machine/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Wed, 02 Jul 2025 00:04:54 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=130916</guid>

					<description><![CDATA[<p>This is the Watkins Copicat Mk II—a British-made tape‑echo unit introduced in the early 1960s.  IC-based tape transport with variable-speed motor—more reliable and cleaner compared to earlier tube units Control layout includes knobs for Echo Tone, Feed‑Back (regen), Repeat Volume, and Speed—all presented in bold white MICR-style font on a black panel (hence your “black‑and‑white font” reference) [...]</p>
<p>The post <a href="https://zashabuti.com/product/vintage-watkins-copicat-ic-mk-ii-analog-tape-delay-machine/">Vintage Watkins Copicat IC Mk II Analog Tape Delay Machine</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p data-start="118" data-end="194"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out">This is the <strong data-start="12" data-end="37">Watkins Copicat Mk II</strong>—a British-made tape‑echo unit introduced in the early 1960s. </span></p>
<ul data-start="231" data-end="428">
<li data-start="231" data-end="309">
<p data-start="233" data-end="309"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out"><strong data-start="0" data-end="27" data-is-only-node="">IC-based tape transport</strong> with variable-speed motor—more reliable and cleaner compared to earlier tube units</span></p>
</li>
<li data-start="310" data-end="388">
<p data-start="312" data-end="388"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out"><strong data-start="0" data-end="18" data-is-only-node="">Control layout</strong> includes knobs for <strong data-start="38" data-end="51">Echo Tone</strong>, <strong data-start="53" data-end="74">Feed‑Back (regen)</strong>, <strong data-start="76" data-end="93">Repeat Volume</strong>, and <strong data-start="99" data-end="108">Speed</strong>—all presented in bold white MICR-style font on a black panel (hence your “black‑and‑white font” reference)</span> .</p>
</li>
<li data-start="389" data-end="428">
<p data-start="391" data-end="428"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out"><strong data-start="0" data-end="23" data-is-only-node="">Tape loop mechanism</strong>: features compact, quick-swap tape cartridges—standard for Copicats of this era.</span></p>
</li>
<li data-start="447" data-end="527">
<p data-start="449" data-end="527"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out"><strong data-start="0" data-end="29" data-is-only-node="">Robust, gig‑worthy design</strong>—in contrast to tube Mk I/II units, the SS Mk II is praised for durability and low maintenance</span></p>
</li>
<li data-start="528" data-end="569">
<p data-start="530" data-end="569"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out"><strong data-start="0" data-end="19" data-is-only-node="">Cleaner repeats</strong> and more stable tape speed thanks to built-in IC control.</span></p>
</li>
<li data-start="570" data-end="611">
<p data-start="572" data-end="611"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out"><strong data-start="0" data-end="18" data-is-only-node="">Variable-speed</strong> lets you dial in delay time and tape character just right—ideal for rhythmic and ambient textures.</span></p>
</li>
<li data-start="612" data-end="653">
<p data-start="614" data-end="653"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out"><strong data-start="0" data-end="22" data-is-only-node="">Compact tape carts</strong> make tape swapping and maintenance relatively user‑friendly.</span></p>
</li>
</ul>
<h3 data-start="929" data-end="953"></h3>
<p data-start="955" data-end="994"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out">From Reddit user <strong data-start="17" data-end="31">bikerwalla</strong> on the IC‑driven Copicat Mk II on r/guitarpedals:</span></p>
<blockquote data-start="996" data-end="1077">
<p data-start="998" data-end="1077"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out">“These are the best ones in my opinion… the vari speed makes these way more flexible than non vari speed models.”</span> <span class="" data-state="closed"><span class="ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]"><a class="flex h-4.5 overflow-hidden rounded-xl px-2 text-[9px] font-medium text-token-text-secondary! bg-[#F4F4F4]! dark:bg-[#303030]! transition-colors duration-150 ease-in-out" href="https://groupdiy.com/threads/watkins-copicat.24395/?utm_source=chatgpt.com" target="_blank" rel="noopener"><span class="relative start-0 bottom-0 flex h-full w-full items-center"><span class="flex h-4 w-full items-center justify-between overflow-hidden"><span class="max-w-full grow truncate overflow-hidden text-center">groupdiy.com</span></span></span></a></span></span><span class="" data-state="closed"><span class="ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]"><a class="flex h-4.5 overflow-hidden rounded-xl px-2 text-[9px] font-medium text-token-text-secondary! bg-[#F4F4F4]! dark:bg-[#303030]! transition-colors duration-150 ease-in-out" href="https://www.reddit.com/r/guitarpedals/comments/53dqpk/npd_watkins_copicat_ic400_tape_delay/?utm_source=chatgpt.com" target="_blank" rel="noopener"><span class="relative start-0 bottom-0 flex h-full w-full items-center"><span class="flex h-4 w-full items-center justify-between absolute"><span class="max-w-full grow truncate overflow-hidden text-center">themusiclocker.co.uk</span><span class="-me-1 flex h-full items-center rounded-full px-1 text-[#8F8F8F]">+11</span></span><span class="flex h-4 w-full items-center justify-between"><span class="max-w-full grow truncate overflow-hidden text-center">reddit.com</span><span class="-me-1 flex h-full items-center rounded-full px-1 text-[#8F8F8F]">+11</span></span><span class="flex h-4 w-full items-center justify-between absolute"><span class="max-w-full grow truncate overflow-hidden text-center">facebook.com</span><span class="-me-1 flex h-full items-center rounded-full px-1 text-[#8F8F8F]">+11</span></span></span></a></span></span></p>
</blockquote>
<p data-start="1079" data-end="1118"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out">Another user adds:</span></p>
<blockquote data-start="1120" data-end="1201">
<p data-start="1122" data-end="1201"><span class="relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out">“Really these black vari speed models to me were the best sounding, most flexible, most durable lowest maintenance W.e.m. Copicats.”</span> <span class="" data-state="closed"><span class="ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]"><a class="flex h-4.5 overflow-hidden rounded-xl px-2 text-[9px] font-medium text-token-text-secondary! bg-[#F4F4F4]! dark:bg-[#303030]! transition-colors duration-150 ease-in-out" href="https://www.reddit.com/r/guitarpedals/comments/53dqpk/npd_watkins_copicat_ic400_tape_delay/?utm_source=chatgpt.com" target="_blank" rel="noopener"><span class="relative start-0 bottom-0 flex h-full w-full items-center"><span class="flex h-4 w-full items-center justify-between overflow-hidden"><span class="max-w-full grow truncate overflow-hidden text-center">reddit.com</span></span></span></a></span></span></p>
</blockquote>
<p>&nbsp;</p>
<p data-start="1483" data-end="1785">The black‑and‑white Watkins Copicat Mk II is a <strong data-start="1530" data-end="1563">vintage solid-state tape echo</strong> cherished for its reliability, variable speed flexibility, and clean echoes. It strikes a strong balance between character and practicality—though keeping it humming does require tape upkeep and occasional mechanical TLC.</p>
<p data-start="1787" data-end="1887">!</p>
<p>The post <a href="https://zashabuti.com/product/vintage-watkins-copicat-ic-mk-ii-analog-tape-delay-machine/">Vintage Watkins Copicat IC Mk II Analog Tape Delay Machine</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<title>MXR Rockman X100 Analog Tone Processor Pedal &#8211; 1980&#8217;s Guitar Tones ARE BACK !!!</title>
		<link>https://zashabuti.com/product/mxr-rockman-x100-analog-tone-processor-pedal-the-1980s-guitar-tones-are-back/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Thu, 23 Jan 2025 07:17:27 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=129692</guid>

					<description><![CDATA[<p>SHIPPING WED 2/12/25! Analog Preamp Pedal with 4 Preset Modes, Volume and Input Gain Adjustment, and Bucket Brigade Chorus Chip Rewinding to 1982, E.T. ruled the box office, and Michael Jackson&#8217;s Thriller ascended to the top of the pop charts. Meanwhile, Tom Scholz of Boston fame designed and debuted the Rockman X100, a headphone amplifier [...]</p>
<p>The post <a href="https://zashabuti.com/product/mxr-rockman-x100-analog-tone-processor-pedal-the-1980s-guitar-tones-are-back/">MXR Rockman X100 Analog Tone Processor Pedal &#8211; 1980&#8217;s Guitar Tones ARE BACK !!!</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>SHIPPING WED 2/12/25!</p>
<p>Analog Preamp Pedal with 4 Preset Modes, Volume and Input Gain Adjustment, and Bucket Brigade Chorus Chip</p>
<div class="webtext-block webtext-block--mixed-content">
<div>
<p>Rewinding to 1982, <em>E.T. </em>ruled the box office, and Michael Jackson&#8217;s <em>Thriller </em>ascended to the top of the pop charts. Meanwhile, Tom Scholz of Boston fame designed and debuted the Rockman X100, a headphone amplifier with built-in effects and studio-magic capabilities that would go on to define the guitar-driven, chorus-laden sound of 1980s arena rock. Scholz, an MIT-schooled engineer, had spent countless hours experimenting with guitars, amplifiers, and effects, which resulted in &#8220;The Boston Tone&#8221; and, ultimately, his line of Rockman gear. Fast-forward to 2025, MXR has harnessed the same vitality, technology, and mystical sonic power of the original Rockman X100 in a new, compact, and dynamic stompbox preamp pedal. The Rockman X100 pedal features four distinct preset modes — two clean and two dirty — that, with the help of a complicated compression circuit, capture the same shimmering cleans and distorted depths of the original presets. To further tailor your levels and complement the dynamics of the preset modes, the Rockman X100 includes Volume and Input Gain sliders that allow you to directly control how your incoming signal interacts with both the preamp and your amplifier, ensuring a precisely dialed-in tone. Lastly, the Rockman X100 comes equipped with the same MN3007 bucket brigade chip found in the classic model. Indeed, Sweetwater guitarists have discovered a sea of sprawling, shimmering chorus, all available with the simple push of a button. The original Rockman X100 helped shape a guitar tone that inspired players throughout the &#8217;80s and beyond; the redefined Rockman X100 from MXR is poised to carry that flag forward and continue to inspire generations of guitar players for decades to come.</p>
</div>
</div>
<div class="webtext-block webtext-switched webtext-block--media-right webtext-block--mixed-content">
<div class="webtext__column webtext--text">
<h3>A faithful re-creation of the original compression circuit</h3>
<p>In honoring the tradition of the original, MXR’s Rockman X100 is built around a complex compression circuit tasked with keeping the signal clear, whether the mode is clean or dirty. Directly tied to the Input Gain, the circuit is tuned for a slow release when a clean mode is activated and a fast release on dirty modes. The result is a concentrated force of sound that cuts through both live and studio mixes.</p>
</div>
</div>
<div class="webtext-block webtext-switched webtext-block--media-left webtext-block--mixed-content">
<div class="webtext__column webtext--text">
<h3>From crystalline cleans to devilish distortion</h3>
<p>Four meticulously crafted preset modes form the foundation of the Rockman X100. Of the two clean modes, CLN2 provides players with a crystal-clear tone ideal for arpeggiated chords, while CLN1 serves a mid-focused EQ curve for a tighter, more punchy sound. When switched to Edge mode, players can expect a crunchier tone that cleans up nicely at lower guitar volumes and is highly sensitive to Gain adjustments due to the moderate clipping from the compressor. When Distortion mode is activated, prepare yourself for high-energy overdrive and sustain capable of fueling commanding power chords and soaring leads.</p>
</div>
</div>
<div class="webtext-block webtext-switched webtext-block--media-right webtext-block--mixed-content">
<div class="webtext__column webtext--text">
<h3>Still looking for more?</h3>
<p>&#8220;What more can this pedal do?&#8221; Well, the MXR Rockman X100 has a slew of additional features designed for advanced-level setups. For instance, you can connect an off-board switch, such as the MXR TRS Split + Tap, for foot control of the Mode selector or even send the signal of your selected mode to L/R channels. Here, you can vary the chorus levels of each side for an even more dynamic, stereo-driven sound.</p>
</div>
<div class="webtext__column webtext--media"><span style="font-size: 23.040001px;">MXR Rockman X100 Features:</span></div>
</div>
<div class="webtext-block webtext-switched webtext-block--text">
<ul class="webtext-block--colcount">
<li>Pedal-sized revival of Tom Scholz’s 1982 Rockman X100, the secret studio weapon that defined the textured guitar tone of &#8217;80s arena rock</li>
<li>2 clean and 2 dirty tone presets, identical to the original headphone amp</li>
<li>Dedicated volume and input gain sliders provide hands-on tonal control</li>
<li>A complex compression circuit provides dynamic and intuitive release</li>
<li>Lush, expansive chorus modulation courtesy of an original bucket brigade chip</li>
<li>Multiple advanced features, including off-board switching and stereo mode</li>
</ul>
</div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><iframe title="MXR Rockman X100" width="1020" height="574" src="https://www.youtube.com/embed/mzupoy6PfAA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>The post <a href="https://zashabuti.com/product/mxr-rockman-x100-analog-tone-processor-pedal-the-1980s-guitar-tones-are-back/">MXR Rockman X100 Analog Tone Processor Pedal &#8211; 1980&#8217;s Guitar Tones ARE BACK !!!</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<title>Used MXR Raw Dawg &#8211; Eric Gales Tube Overdrive Distortion Guitar Pedal (Copy)</title>
		<link>https://zashabuti.com/product/used-mxr-raw-dawg-eric-gales-tube-overdrive-distortion-guitar-pedal-copy/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Thu, 16 Jan 2025 06:05:43 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=127738</guid>

					<description><![CDATA[<p>We are Eclectic Sounds / aka: eclsounds &#8211; a store front in Portland, Or. We are open 7 days a week from 11 &#8211; 5 PST (by appointment) &#160; MINT OPEN BOX Eric Gales&#8217;s Signature Blues-inflected Overdrive Every time Eric Gales delivers one of his trademark southpaw serenades, it&#8217;s a jaw-dropping experience. His combination of [...]</p>
<p>The post <a href="https://zashabuti.com/product/used-mxr-raw-dawg-eric-gales-tube-overdrive-distortion-guitar-pedal-copy/">Used MXR Raw Dawg &#8211; Eric Gales Tube Overdrive Distortion Guitar Pedal (Copy)</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><b>We are Eclectic Sounds / aka: eclsounds &#8211; a store front in Portland, Or.</b></p>
<p><b>We are open 7 days a week from 11 &#8211; 5 PST (by appointment)</b></p>
<p>&nbsp;</p>
<p>MINT OPEN BOX</p>
<h2>Eric Gales&#8217;s Signature Blues-inflected Overdrive</h2>
<p>Every time Eric Gales delivers one of his trademark southpaw serenades, it&#8217;s a jaw-dropping experience. His combination of mind-blowing licks and scorching-hot tone never fails to gratify. Eric&#8217;s signature MXR Raw Dawg is based around a classic, tried-and-true overdrive circuit. That said, it&#8217;s been custom-voiced for balanced mids and increased gain. What&#8217;s more, this effects pedal&#8217;s simple 3-knob interface makes dialing in your sound a breeze. We really dig the Raw Dawg here at Eclectic Sounds. Plug into this electrifying stompbox, and you&#8217;ll experience a searing, blues-inflected grind that&#8217;s guaranteed to inspire your tastiest licks. The Raw Dawg also boasts a classic MXR mini housing that takes up minimal pedalboard space.</p>
<div class="webtext__column webtext--text">
<h2>MXR Raw Dawg Overdrive Pedal Features:</h2>
<ul class="webtext-block--colcount">
<li>Signature overdrive pedal of blues-rock phenom Eric Gales</li>
<li>Based around a classic, tried-and-true overdrive circuit</li>
<li>Custom-voiced for balanced mids and increased gain</li>
<li>Simple 3-knob interface makes dialing in your sound a breeze</li>
<li>Classic MXR mini housing takes up minimal pedalboard space</li>
</ul>
<p>&nbsp;</p>
<ul class="webtext-block--colcount">
<li class="table__row"><strong class="table__header">Pedal Type:</strong><span class="table__cell">Overdrive </span></li>
<li class="table__row"><strong class="table__header">Analog/Digital:</strong><span class="table__cell">Analog </span></li>
<li class="table__row"><strong class="table__header">Inputs:</strong><span class="table__cell">1 x 1/4&#8243; </span></li>
<li class="table__row"><strong class="table__header">Outputs:</strong><span class="table__cell">1 x 1/4&#8243; </span></li>
<li class="table__row"><strong class="table__header">Bypass Switching:</strong><span class="table__cell">True Hardwire </span></li>
<li class="table__row"><strong class="table__header">EQ:</strong><span class="table__cell">Tone Control </span></li>
<li class="table__row"><strong class="table__header">Power Source:</strong><span class="table__cell">9V DC power supply (sold separately) </span></li>
<li class="table__row"><strong class="table__header">Power Usage:</strong><span class="table__cell">6mA </span></li>
<li class="table__row"><strong class="table__header">Manufacturer Part Number:</strong><span class="table__cell">EG74</span></li>
</ul>
</div>
<p>The post <a href="https://zashabuti.com/product/used-mxr-raw-dawg-eric-gales-tube-overdrive-distortion-guitar-pedal-copy/">Used MXR Raw Dawg &#8211; Eric Gales Tube Overdrive Distortion Guitar Pedal (Copy)</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<title>NEW! Catalinbread Soft Focus Deluxe FX 40 Shoe Gaze Reverb</title>
		<link>https://zashabuti.com/product/new-catalinbread-soft-focus-deluxe-fx-40-shoe-gaze-reverb/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Sat, 23 Nov 2024 02:06:12 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=115962</guid>

					<description><![CDATA[<p>The Definitive Suite of Deluxe Authentic Shoegaze Sounds The Catalinbread Soft Focus Deluxe revamps the brand&#8217;s popular Soft Focus concept of an all-in-1 shoegaze device, providing a springboard for players to lace up and dive instantly into game-changing, space-saving swirls of celestial sound. The Deluxe contains the original&#8217;s reverb, chorus, and shimmer features (each inspired [...]</p>
<p>The post <a href="https://zashabuti.com/product/new-catalinbread-soft-focus-deluxe-fx-40-shoe-gaze-reverb/">NEW! Catalinbread Soft Focus Deluxe FX 40 Shoe Gaze Reverb</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<article id="desc" class="webtext">
<div class="webtext-block webtext-block--mixed-content">
<div class="webtext-headline">
<h2>The Definitive Suite of Deluxe Authentic Shoegaze Sounds</h2>
<h2><span style="color: #555555; font-size: 14.4px;">The Catalinbread Soft Focus Deluxe revamps the brand&#8217;s popular Soft Focus concept of an all-in-1 shoegaze device, providing a springboard for players to lace up and dive instantly into game-changing, space-saving swirls of celestial sound. The Deluxe contains the original&#8217;s reverb, chorus, and shimmer features (each inspired by rackmount hardware that fueled shoegaze classics such as Slowdive&#8217;s Souvlaki) and dramatically expands them with delay for ultra-lush time-based enhancement and distortion for maelstroms of texture. Plus, there&#8217;s room to add a tap tempo switch or expression pedal for more control. Furthermore, six program variations on the Soft Focus patch expand tone options with the ability to highlight aspects of the reverb, chorus, distortion, shimmer, or delay — after all, no two shoegaze players ever sound exactly alike! Want angelic soundscapes and battered symphonic swirls at the touch of a button? This dynamic pedal from Sweetwater has you covered!</span></h2>
</div>
</div>
<div class="webtext-block webtext-switched webtext-block--text">
<div>
<h3>Honey, they shrunk the shoegaze!</h3>
<p>The Soft Focus concept is simple yet highly ambitious: deliver monumental walls of shoegaze sound with one and only one pedal. The Soft Focus Deluxe&#8217;s tiny form factor fully realizes this concept with all-encompassing effects, including wide-ranging delay options and footswitchable distortion. Players are bound to save on pedalboard room with built-in distortion, which lets them freely devote their other dirt pedals to different needs. You can rapidly toggle between sweet, relatively clean symphonic tones and swirls of gnashing, hard-clipped atmospherics pummeled by the distortion channel. This distortion is tuned for shoegaze and complements other Soft Focus sections with boosted volume and crunchy presence that varies depending on where controls are set. Best of all, the distortion&#8217;s Series/Parallel toggle brings a welcome layer of precise control to driven sounds. In Parallel mode, the distorted signal replaces your dry signal (where the Mix knob is concerned), which unlocks precise blends of articulate distortion and the main channel&#8217;s atmospherics.</p>
</div>
</div>
<div class="webtext-block webtext-switched webtext-block--text">
<div>
<h3>Extraordinary patch additions</h3>
<p>Joining the original Soft Focus patch are five program variations that push the reverb, modulation, octave, and delay to extreme dimensions. Explore everything from heightened octave emphasis to near-infinite reverb decays!</p>
<ul class="vertical">
<li><strong>Program 1:</strong> The classic Soft Focus patch — reverb, slight shimmer, chorus-like modulation, and smooth compression</li>
<li><strong>Program 2:</strong> Expanded reverb capabilities with cavernous sound and the potential for near-infinite decays</li>
<li><strong>Program 3:</strong> Doubled modulation with a second chorus and a higher modulation ceiling for extra warble</li>
<li><strong>Program 4:</strong> Boosts the Soft Focus patch&#8217;s octave overtones for greater lush symphonics</li>
<li><strong>Program 5:</strong> Augments the octave up using a major third with altered octave functions handled via adjustments of the &#8220;Delay&#8221; knob</li>
<li><strong>Program 6:</strong> Adds delay mix expression control to the standard Soft Focus patch for sudden time warps and dramatic sudden twists of sonic space</li>
</ul>
</div>
</div>
<div class="webtext-block webtext-switched webtext-block--text">
<div>
<h3>Fix your &#8216;gaze on these extra perks</h3>
<p>Players can alter and expand the Soft Focus Deluxe&#8217;s sound and behavior at multiple points. Connecting an 18V power supply expands the pedal&#8217;s headroom — an especially valuable feature for those who favor loud cleans and smoother shoegaze tones. Next, the parallel/series distortion toggle lets you merge or separate distorted signals with radically different results in each position. Lastly, a rear-panel jack allows expression pedal and tap tempo connections (Catalinbread recommends their own CBTap pedal for tap control). Expression controller maps to the pedal&#8217;s delay time, except in Program 6 where it adjusts the delay&#8217;s mix level to empower dramatic fades of repeating sound.</p>
</div>
</div>
<div class="webtext-block webtext-switched webtext-block--text">
<div>
<h2>Catalinbread Soft Focus Deluxe Features:</h2>
<ul class="webtext-block--colcount">
<li>Expands Catalinbread&#8217;s acclaimed original Soft Focus pedal with a more comprehensive suite of shoegaze effects</li>
<li>Chorus, shimmer, and reverb effects based on a famous patch used by &#8217;90s shoegaze bands such as Slowdive</li>
<li>6-mode program selector unlocks reverb, modulation, octave, and delay variations ranging from subtle to dramatic</li>
<li>Delay and footswitchable distortion round out this truly comprehensive deluxe shoegaze pedal&#8217;s tools</li>
<li>Hard-clipped distortion circuit is carefully tuned for shoegaze and offers series/parallel switching for precise tone adjustments</li>
<li>Expression pedal and tap tempo switch compatibility fuel seamless control that translates well to live performance</li>
<li>Can be powered at 18V for greater headroom</li>
</ul>
</div>
</div>
</article>
<div class="warranty-container"></div>
<p>Our Soft Focus wrote a new volume of all-in-one shoegaze tone, but we&#8217;ve gone above and beyond to bring you the final word in shoegaze, the Soft Focus Deluxe.</p>
<p>The Deluxe model installs the missing delay function from the original FX500 patch, giving you exacting control over every parameter across six different programs. Dip your toes into a vast array of shoegaze textures and soundscapes with an integrated footswitchable distortion circuit, giving you the option to run it in series with or in parallel with the Soft Focus patch.</p>
<p>We&#8217;ve also upped the stakes with a multi-function jack capable of expression control or tap tempo. Your shoes will never look the same again.</p>
<p>&nbsp;</p>
<p>The post <a href="https://zashabuti.com/product/new-catalinbread-soft-focus-deluxe-fx-40-shoe-gaze-reverb/">NEW! Catalinbread Soft Focus Deluxe FX 40 Shoe Gaze Reverb</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<title>Vintage DOD R-830B 15 band 2 channel EQ Equalizer &#8211; 2U Rack Processor &#8211; Tech Checkup</title>
		<link>https://zashabuti.com/product/vintage-dod-band-eq-2u-rack-processor/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Thu, 17 Oct 2024 04:07:55 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=115323</guid>

					<description><![CDATA[<p>Recently got a tech chekup and is working great with no issues.  Ships 8 lbs with box &#160; The DOD R830A is a two channel EQ which offers 12dB of cut or boost to fifteen ISO frequency bands ranging from 25Hz to 16kHz on each channel. Input and output is via either balanced/unbalanced ¼&#8221; jacks [...]</p>
<p>The post <a href="https://zashabuti.com/product/vintage-dod-band-eq-2u-rack-processor/">Vintage DOD R-830B 15 band 2 channel EQ Equalizer &#8211; 2U Rack Processor &#8211; Tech Checkup</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Recently got a tech chekup and is working great with no issues. </strong></p>
<p><strong>Ships 8 lbs with box</strong></p>
<p>&nbsp;</p>
<p>The DOD R830A is a two channel EQ which offers 12dB of cut or boost to fifteen ISO frequency bands ranging from 25Hz to 16kHz on each channel. Input and output is via either balanced/unbalanced ¼&#8221; jacks or unbalanced phono plugs to the rear panel. The equipment is designed to accept many different inputs and to be used either on stage or in the studio. Each channel has a separate EQ in/out switch and a level control giving +/-15dB gain based on its pre-EQ state. Separate high pass filters offer 6dB/octave roll off from 45Hz and the state of these two switches is displayed by two LEDs mounted next to the buttons on the front panel.</p>
<p>&nbsp;</p>
<h4 class="article_subtitle">Construction</h4>
<p>The thirty slider pots (controlling the amount of cut/boost) have a very positive action, free from mechanical noise and slipping and are mounted direct onto a circuit board behind the front panel. The wiring is carefully thought out and modular connectors are used wherever wires need to join onto the boards, giving the inside of the machine a reassuring calm and efficient appearance. All ICs are socketed for easy service and components are to a high tolerance for best possible reliability.</p>
<p>Despite there being no internal adjustment facility to the individual bandpass filter circuits the accuracy is very good; the EQ control range works very closely to the 12dB specified with only a very slight degree of error less than +/-0.5dB. A separate power supply board mounted on the back of the casing along with the transformer isolates large voltages from the filter boards therefore keeping hum to a minimum.</p>
<p>The outer casing is made of steel and all components and boards are mounted from the base boards upwards directly to the back of the metal case as with the connectors. The modular plugs to the boards allow them to be removed very easily if they should ever need repair or update.</p>
<p>The front panel is made of aluminium with a hardwearing matt black finish and although they have a definite plastic feel the front controls work quietly and efficiently. Signal to Noise ratio is good, being rated better than 90dB and the whole unit is designed to be rack mounted taking up two units on a standard 19&#8243; rack, with dimensions being 3½&#8221; x 6&#8243; x 19&#8243;.</p>
<div class="imgpad">
<figure><img decoding="async" class="mg-sm img-rd img-responsive fullview resizable" title="" src="https://www.muzines.co.uk/images_mag/articles/hsr/HSR_84_02_dod_stereo_g_1_large.jpg" width="634px" data-toggle="tooltip" data-index="1" data-scale="100" data-w="634px" data-imgid="5431" data-placement="top" data-caption="DOD rear connections." data-src="/images_mag/articles/hsr/HSR_84_02_dod_stereo_g_1_full.jpg" data-original-title="Click image for larger view" /><figcaption>
<h6>DOD rear connections.</h6>
</figcaption></figure>
</div>
<h4 class="article_subtitle">Usage</h4>
<p>The unit offers some very handy features, including output short circuit and reverse surge protection, particularly reassuring for live performance, and high impedance balanced or unbalanced input with mid impedance output allows the unit to be used in most setups either on stage or in the studio. Balanced input/output is maintained in bypass mode and for studio use the input through unbalanced RCA phono sockets as well as standard jacks is very useful.</p>
<p>The high pass filters give 6dB/octave roll off from 45Hz. I feel that for professional use, to be able to handle any amount of mic handling noise, rumble and mains hum etc, the filter cutoff point should be variable with possibly greater roll-off of at least 18dB/octave. I would also have liked at least one peak indicator on each channel which is a facility not offered on this unit at all.</p>
<h4 class="article_subtitle">Conclusion</h4>
<p>I consider the DOD Graphic to be a good &#8216;no fuss&#8217; unit which does its job efficiently and quietly. Considering its very good construction it should carry on giving good service for some time. Little dislikes I have about this instrument would include the lack of peak indicators and the very small indentation at 0dB on the slider pots (I personally would like a definite &#8216;stop&#8217; at this point) but generally I think it is a good reliable device.</p>
<p>The post <a href="https://zashabuti.com/product/vintage-dod-band-eq-2u-rack-processor/">Vintage DOD R-830B 15 band 2 channel EQ Equalizer &#8211; 2U Rack Processor &#8211; Tech Checkup</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<title>Way Huge Angry Troll Linear Boost Amplifier WHE101 Effect Pedal</title>
		<link>https://zashabuti.com/product/way-huge-angry-troll-linear-boost-amplifier-whe101-effect-pedal/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Tue, 15 Oct 2024 00:22:43 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=56647</guid>

					<description><![CDATA[<p>We are Eclectic Sounds / aka: eclsounds &#8211; a store front in Portland, Or. We are open 7 days a week from 11 &#8211; 5 PST (by appointment) In MINT condition with Velcro on bottom Want to send your guitar amplifier over the edge? The Way Huge Angry Troll linear boost pedal will send it [...]</p>
<p>The post <a href="https://zashabuti.com/product/way-huge-angry-troll-linear-boost-amplifier-whe101-effect-pedal/">Way Huge Angry Troll Linear Boost Amplifier WHE101 Effect Pedal</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><b>We are Eclectic Sounds / aka: eclsounds &#8211; a store front in Portland, Or. We are open 7 days a week from 11 &#8211; 5 PST (by appointment)</b></p>
<p>In MINT condition with Velcro on bottom</p>
<article id="desc" class="webtext">
<div class="webtext-block">
<p>Want to send your guitar amplifier over the edge? The Way Huge Angry Troll linear boost pedal will send it over and then some! With the stomp of a single switch, you can add up to 50dB of gain to your guitar&#8217;s signal. Whoa! Inject more punch and bite to your to your amp, without distortion pedals. The Angry Troll can add everything from a touch of grit to molten, long-lasting sustain. Plus, you won&#8217;t fiddle with tons of controls; the Angry Troll&#8217;s simple volume and Anger (gain) knob layout makes it simple to use. Turn your amp into the overdriven monster you want it to be, with the Way Huge Angry Troll!</p>
<p><strong style="color: #333333;">Way Huge Angry Troll Guitar Boost Pedal at a Glance:</strong></p>
<ul>
<li>Add a variable boost to your guitar&#8217;s signal</li>
<li>Keep your tone unaffected with true-bypass switching</li>
<li>Way Huge comes back to the masses</li>
</ul>
<p><strong>Add a variable boost to your guitar&#8217;s signal</strong>Give your amp a boost it will never forget with the Way Huge Angry Troll! Pummel your guitar amplifier&#8217;s input with up to 50dB of boost, and bask in the overdriven glory that is yours. With six &#8220;Fists of Fury&#8221; settings, you can dial in the exact gain boost you want. Think of the Angry Troll as an extension of your amp &#8211; an extension labeled GAIN. Now, you can add a great-sounding gain section to your trusty single-channel amplifier!</p>
<p><strong>Keep your tone unaffected with true-bypass switching</strong>Guitar players only want pedals to change their tone when they&#8217;re in operation. True-bypass switching keeps your guitar signal clean and clear when the Angry Troll is not ravaging your amp. Until you turn it on, you won&#8217;t know it&#8217;s there.</p>
<p><strong>Way Huge comes back to the masses</strong>Way Huge founder Jorge Tripps fired up his first WH creation, the &#8220;Fuzz Box,&#8221; back in 1992. He soon created a whole stable of amazing-sounding stompboxes with equally interesting names. Though Way Huge closed up shop in 1999, demand for these pedals continued to soar; as you&#8217;d expect, online auctions brought astronomical prices for Way Huge products. Now, Way Huge teams up with Dunlop to make their premium-quality stompboxes available to you &#8211; at much more down-to-earth prices. And, they&#8217;re better than ever!</p>
<p><strong>Way Huge Angry Troll Guitar Boost Pedal Features:</strong></p>
<ul>
<li>Simple-to-use stompbox that sends your amp into new levels of gain</li>
<li>Lets you dial in up to 50dB of over-the-top boost</li>
<li>True-bypass switching keeps Angry Troll quiet when it&#8217;s not in use</li>
</ul>
<p><span class="h4black">Take your amp way over the edge, with the Way Huge Angry Troll boost pedal!</span></p>
</div>
</article>
<div></div>
<div></div>
<div>https://www.youtube.com/watch?v=bbgeOiwUKi0</div>
<div></div>
<section class="product-disclaimer">
<div class="product-disclaimer__content"></div>
</section>
<p>&nbsp;</p>
<p><b><i>( Due to people taking advantage of eBay / Reverb return policies; wanting to “try out and/or pilfer parts”  we can no longer take returns on used gear unless it arrives damaged. Sorry for this inconvenience. We test and guarantee all gear to be 100% working unless stated otherwise )</i></b></p>
<p>The post <a href="https://zashabuti.com/product/way-huge-angry-troll-linear-boost-amplifier-whe101-effect-pedal/">Way Huge Angry Troll Linear Boost Amplifier WHE101 Effect Pedal</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<title>PROTOTYPE? Thomas Organ Cry Baby Wah 95-910511 with 3 Inductors!?! Halo, TDK ,</title>
		<link>https://zashabuti.com/product/prototype-thomas-organ-cry-baby-wah-95-910511-with-3-inductors-halo-tdk/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Sat, 25 May 2024 02:04:46 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=100273</guid>

					<description><![CDATA[<p>Here looks to be a completely stock 95-910511 with a stock TDK 5103,  yet it contains 2 other Halo inductors on a 3 way rotary switch !?! There is also a 9V power jack that has been added.  In 40 years of collecting gear I&#8217;ve never seen a crybaby like this. Either it is a [...]</p>
<p>The post <a href="https://zashabuti.com/product/prototype-thomas-organ-cry-baby-wah-95-910511-with-3-inductors-halo-tdk/">PROTOTYPE? Thomas Organ Cry Baby Wah 95-910511 with 3 Inductors!?! Halo, TDK ,</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Here looks to be a completely stock 95-910511 with a stock TDK 5103, </strong></p>
<p><strong>yet it contains 2 other Halo inductors on a 3 way rotary switch !?!</strong></p>
<p><strong>There is also a 9V power jack that has been added. </strong></p>
<p><strong>In 40 years of collecting gear I&#8217;ve never seen a crybaby like this.</strong></p>
<p><strong>Either it is a prototype or an extremely well done mod where all parts</strong></p>
<p><strong>looks to be pre 1973 with original transistors, caps, and resistors. </strong></p>
<p><strong>Due to it&#8217;s rare nature this is sold as-is with full insurance and signed delivery confirmation</strong></p>
<p><strong>with a video of it completely working before it ships. </strong></p>
<p>&nbsp;</p>
<p>The post <a href="https://zashabuti.com/product/prototype-thomas-organ-cry-baby-wah-95-910511-with-3-inductors-halo-tdk/">PROTOTYPE? Thomas Organ Cry Baby Wah 95-910511 with 3 Inductors!?! Halo, TDK ,</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<title>Hush II B Noise Suppressor Rack Unit</title>
		<link>https://zashabuti.com/product/hush-ii-b-noise-suppressor-rack-unit/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Tue, 05 Mar 2024 20:20:39 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=94523</guid>

					<description><![CDATA[<p>The post <a href="https://zashabuti.com/product/hush-ii-b-noise-suppressor-rack-unit/">Hush II B Noise Suppressor Rack Unit</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The post <a href="https://zashabuti.com/product/hush-ii-b-noise-suppressor-rack-unit/">Hush II B Noise Suppressor Rack Unit</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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		<title>NuX 6ixty 5ive Overdrive Blackface Guitar Effect Pedal</title>
		<link>https://zashabuti.com/product/nux-6ixty-5ive-overdrive/</link>
		
		<dc:creator><![CDATA[Cameron Morgan]]></dc:creator>
		<pubDate>Thu, 15 Feb 2024 22:48:20 +0000</pubDate>
				<guid isPermaLink="false">https://zashabuti.com/?post_type=product&#038;p=94408</guid>

					<description><![CDATA[<p>We are Eclectic Sounds / aka: eclsounds &#8211; a store front in Portland, Or. We are open 7 days a week from 11 &#8211; 5 PST (by appointment) The NUX &#8216;6ixty5ive Overdrive pedal from our bestselling Reissue Series offers up the punchy clear tones of the Classic Black Panel Fender amps from the 60&#8217;s. It&#8217;s [...]</p>
<p>The post <a href="https://zashabuti.com/product/nux-6ixty-5ive-overdrive/">NuX 6ixty 5ive Overdrive Blackface Guitar Effect Pedal</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><b>We are Eclectic Sounds / aka: eclsounds &#8211; a store front in Portland, Or. We are open 7 days a week from 11 &#8211; 5 PST (by appointment)</b></p>
<p>The NUX &#8216;6ixty5ive Overdrive pedal from our bestselling Reissue Series offers up the punchy clear tones of the Classic Black Panel Fender amps from the 60&#8217;s. It&#8217;s an easy-to-handle glassy overdrive that retains the characteristics of the guitar with great sustain and natural compression.</p>
<p>NUX &#8216;6ixty5ive Overdrive is inspired by VEMURAM Jan Ray.</p>
<p><b><i>( On NEW gear we have to charge a 15% restocking fee due to people wanting to “try out and/or pilfer parts”. If NEW items arrive damaged, we can process a return. Call our shop or write in if you have any questions, we are here to help you find the gear of your dreams… )</i></b></p>
<p>The post <a href="https://zashabuti.com/product/nux-6ixty-5ive-overdrive/">NuX 6ixty 5ive Overdrive Blackface Guitar Effect Pedal</a> appeared first on <a href="https://zashabuti.com">Eclectic Sounds</a>.</p>
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