Arturo Delmoni – Bach • Kreisler • Ysaÿe LP M NM or M- Feb 1989 Water Lily Acoustics Classical Baroque, Modern Vinyl: UNPLAYED MINT / Cover: NM/M with original sleeve that it shipped in = Ultrasonic Cleaned on Kirmuss machine for superior audio and sonics! !!! This listing uses a stock photo. You will receive the exact pressing that the stock photo shows. We grade conservatively, and have been selling records/cd’s for over 25 years. Please inquire if you would like to see pictures of the actual item or have any questions. !!!

!!! If this listing is a record, it will be ultrasonic cleaned on a Kirmuss for superior audio and sonics!!!

!!! This listing uses a stock photo. You will receive the exact pressing that the stock photo shows.
We grade conservatively and have been selling records/cd’s for over 25 years. 
Please inquire if you would like to see pictures of the actual item or have any questions. !!!
If pictures are not attached, let us know and we'll send you some!

 

Media Condition: Mint (M)

Sleeve Condition: Near Mint (NM or M-)

 

Vinyl: UNPLAYED MINT / Cover: NM/M with original sleeve that it shipped in = Ultrasonic Cleaned on Kirmuss machine for superior audio and sonics! !!! This listing uses a stock photo. You will receive the exact pressing that the stock photo shows. We grade conservatively, and have been selling records/cd’s for over 25 years. Please inquire if you would like to see pictures of the actual item or have any questions. !!!

Notes:

Co-Produced and Funded by Apogee Acoustics, Inc.

Arturo Delmoni plays a J.B. Guadagnini violin of 1780.

This work is dedicated to the artist’s beloved teacher Joseph Gingold.

Manager to Mr. Delmoni: John Marks.

This is a pure analog recording done exclusively with custom-built vacuum-tube electronics. The microphone set-up was the classic Blumlein arrangement. No noise reduction, equalization, compression, or limiting of any sort was used in the making of this record.

Microphones: Custom-built vacuum-tube design by Tim de Paravicini of EAR using MILAB dual rectangular capsules.
Mic Pre-Amp: Custom-built vacuum-tube design by Tim de Paravicini of EAR.
Recorder: Ampex MR70 (Nuvistor) “The Jack Mullin Special.” Half-inch two-track with custom heads designed by Tim de Paravicini of EAR. Run at 15 i.p.s./C.C.I.R.
Tape: Ampex 456.
Mastered at The Exchange (London) on a custom-built vacuum-tube cutting system designed by Tim de Paravicini of EAR, U.K.
Plating: Allied Records, Santa Monica, CA.
Pressed on Premium Quality Vinyl at Record Technology, Inc., Camarillo, CA.
Cables: AudioQuest – LiveWire.
Vacuum-tubes and Nuvistors: Gold Aero Platinum Series.
Power Amps: EAR 509 MkII (100 Watt Mono Blocks).

This recording was monitored with Apogee Acoustics Caliper Signature Ribbon Speakers.

℗ © Water Lily Acoustics 1989.
P.O. Box 91448, Santa Barbara, CA 93190

https://www.youtube.com/watch?v=Rhw4hnPbuEU

. Partita No. 2 In D-minor, BWV 1004
. Recitativo And Scherzo Op. 6
. Sonata Op. 27 No. 2

Matrix / Runout WLA-WS-07A2 The Exchange [‘a’ symbol] ∆ 23854 1-
Matrix / Runout The Exchange [‘a’ symbol] ∆ 23854-X 1- WLA-WS-07B2

Phonographic Copyright (p) Water Lily Acoustics
Pressed By Allied Record Company
Duplicated By Record Technology Incorporated
Recorded At Christ the King Chapel, St. Anthony’s Seminary
Mastered At The Exchange

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