Arturo Delmoni – Bach • Kreisler • Ysaÿe LP M NM or M-

Comments: Vinyl: UNPLAYED MINT / Cover: NM/M with original sleeve that it shipped in = Ultrasonic Cleaned on Kirmuss machine for superior audio and sonics! !!! This listing uses a stock photo. You will receive the exact pressing that the stock photo shows. We grade conservatively, and have been selling records/cd’s for over 25 years. Please inquire if you would like to see pictures of the actual item or have any questions. !!!

Media Condition : Mint (M)

Sleeve Condition : Near Mint (NM or M-)

!!! All records are ultrasonic cleaned on a Kirmuss for superior audio and sonics!!!

!!! This listing uses a stock photo. You will receive the exact pressing that the stock photo shows. We grade conservatively, and have been selling records/cd’s for over 25 years. Please inquire if you would like to see pictures of the actual item or have any questions. !!!

​Co-Produced and Funded by Apogee Acoustics, Inc.

Arturo Delmoni plays a J.B. Guadagnini violin of 1780.

This work is dedicated to the artist’s beloved teacher Joseph Gingold.

Manager to Mr. Delmoni: John Marks.

This is a pure analog recording done exclusively with custom-built vacuum-tube electronics. The microphone set-up was the classic Blumlein arrangement. No noise reduction, equalization, compression, or limiting of any sort was used in the making of this record.

Microphones: Custom-built vacuum-tube design by Tim de Paravicini of EAR using MILAB dual rectangular capsules.
Mic Pre-Amp: Custom-built vacuum-tube design by Tim de Paravicini of EAR.
Recorder: Ampex MR70 (Nuvistor) “The Jack Mullin Special.” Half-inch two-track with custom heads designed by Tim de Paravicini of EAR. Run at 15 i.p.s./C.C.I.R.
Tape: Ampex 456.
Mastered at The Exchange (London) on a custom-built vacuum-tube cutting system designed by Tim de Paravicini of EAR, U.K.
Plating: Allied Records, Santa Monica, CA.
Pressed on Premium Quality Vinyl at Record Technology, Inc., Camarillo, CA.
Cables: AudioQuest – LiveWire.
Vacuum-tubes and Nuvistors: Gold Aero Platinum Series.
Power Amps: EAR 509 MkII (100 Watt Mono Blocks).

This recording was monitored with Apogee Acoustics Caliper Signature Ribbon Speakers.

℗ © Water Lily Acoustics 1989.
P.O. Box 91448, Santa Barbara, CA 93190

Classical

Feb 1989

Baroque, Modern

Water Lily Acoustics

US

Artwork [Cover], Art Direction – Betty Einolander
Edited By – Dave Sommers
Liner Notes – Denis Stevens
Liner Notes – Kavichandran Alexander
Photography By [Cover] – Michael Sexton
Producer, Recorded By – Kavichandran Alexander
Technician [Technical Consultant] – Bill Healander
Technician [Technical Consultant] – Tim de Paravicini
Technician [Technical Maintenance] – Chris Donnelly (6)
Violin – Arturo Delmoni

https://www.youtube.com/watch?v=Rhw4hnPbuEU

Track List :

. Partita No. 2 In D-minor, BWV 1004
. Recitativo And Scherzo Op. 6
. Sonata Op. 27 No. 2

Barcode and Other Identifiers :

Matrix / Runout WLA-WS-07A2 The Exchange [‘a’ symbol] ∆ 23854 1-
Matrix / Runout The Exchange [‘a’ symbol] ∆ 23854-X 1- WLA-WS-07B2

Phonographic Copyright (p) Water Lily Acoustics
Pressed By Allied Record Company
Duplicated By Record Technology Incorporated
Recorded At Christ the King Chapel, St. Anthony’s Seminary
Mastered At The Exchange

 

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